Download and Print top quality Concerto in D minor RV 481 sheet music for bassoon and piano by Antonio Vivaldi with Mp3 music accompaniment tracks. High-Quality and Interactive, Transpose it in any key, change the tempo, easy play & practice. Trio sonata in G minor D-WD 692 / Giovanni Benedetto Platti (13:23) Concerto for cello, strings and continuo in D minor RV 405 / Antonio Vivaldi (9:44) Concerto in G minor / Baldassare Galuppi (9:51) Trio for lute, violin and continuo in G minor RV 85 (10:21); Concerto for strings and continuo in G minor RV 156 (5:42) / Antonio Vivaldi. Concerto in D minor, RV 565 (Vivaldi, Antonio) Movements/Sections Mov'ts/Sec's: 5 movements First Publication 1711 in L'estro armonico, Op.3 (No.11) Genre Categories.
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| Movements/SectionsMov'ts/Sec's | 3 |
| Composition Year | 1720-24 ca. |
| Genre Categories | Concertos; For bassoon, strings, continuo; Scores featuring the bassoon; Scores featuring string ensemble; Scores with basso continuo; For strings with soloists and continuo |
| Related Works | First movement in Cello Concerto in D minor, RV 406. |
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Performances
Naxos
Sheet Music
Scores
Complete Score (scan) (EU) (Preview)
*#345311 - 3.39MB, 39 pp. - 0.0/10 (-) - C*/45*/V*- 3298×⇩ - Piupianissimo
PDF scanned by Piupianissimo
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Complete Score (EU) (Preview)
*#341545 - 4.31MB, 33 pp. - 0.0/10 (-) - C*/45*/V*- 2812×⇩ - Tito Manlio
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Complete Score
*#408174 - 0.41MB, 25 pp. - 0.0/10 (-) - !N/!N/!N- 1565×⇩ - Rutger
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Vivaldi D Minor Bassoon
Parts
Bassoon Solo
*#408175 - 0.21MB, 7 pp. - 0.0/10 (-) - !N/!N/!N- 5089×⇩ - Rutger
⇒ 6 more: Violins I • Violins II • Violas • Cellos • Basses • Engraving files (Lilypond)
Violins I
*#408176 - 0.17MB, 5 pp. - 0.0/10 (-) - !N/!N/!N- 725×⇩ - Rutger
Violins II
*#408177 - 0.16MB, 5 pp. - 0.0/10 (-) - !N/!N/!N- 515×⇩ - Rutger
Violas
*#408178 - 0.15MB, 4 pp. - 0.0/10 (-) - !N/!N/!N- 516×⇩ - Rutger
Vivaldi D Minor For Viola
Cellos
*#408179 - 0.16MB, 4 pp. - 0.0/10 (-) - !N/!N/!N- 655×⇩ - Rutger
Basses
*#408180 - 0.16MB, 4 pp. - 0.0/10 (-) - !N/!N/!N- 586×⇩ - Rutger
Engraving files (Lilypond)
*#408181 - 0.03MB, ? pp. - 0.0/10 (-) - !N/!N/!N- 558×⇩ - Rutger
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General Information
| Work Title | Bassoon Concerto in D minor |
|---|---|
| Alternative. Title | Concerto in Re minore per fagotto, archi e basso continuo |
| Composer | Vivaldi, Antonio |
| Opus/Catalogue NumberOp./Cat. No. | RV 481 ; F.VIII.5 ; P.282 |
| I-Catalogue NumberI-Cat. No. | IAV 36 |
| Key | D minor |
| Movements/SectionsMov'ts/Sec's | 3 movements
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| Year/Date of CompositionY/D of Comp. | 1720-24 ca. |
| Average DurationAvg. Duration | 9 minutes |
| Composer Time PeriodComp. Period | Baroque |
| Piece Style | Baroque |
| Instrumentation | bassoon, strings, continuo |
| Related Works | First movement in Cello Concerto in D minor, RV 406. |
| Primary Sources | Autograph:
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Navigation etc.
| Bassoon Concertos by Antonio Vivaldi | |
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During his time as organist at the ducal court of Weimar (1708 to 1717), Johann Sebastian Bach (1685-1750) became more and more familiar with the Italianate style and decided to transcribe several concertos by Antonio Vivaldi (1678-1741). Vivaldi, the preeminent master of the violin, was known throughout Europe for his published collection of twelve concertos known as L'estro armonico, described by musicologist H.C. Robbins Landon as 'the most influential music published in its time . . . a demonstration of everything the violin could do.' Vivaldi, originally hired as a young man to teach violin at one of the Venetian orphanages for girls (the Pietà), was later promoted to the position of maestro de' concerti, a post that enabled him to compose and perform his own music. In concerts at the Pietà young women played, standing in a three-tiered balcony, to audiences of select society. Vivaldi used his base of operations to the fullest, at the same time not neglecting the promotion of his fame north of the Alps. By the 1720s he was in fact a major cult figure, so it is no surprise that Bach took an interest in arranging Vivaldi's music for the organ. As often happens with a 'star,' Vivaldi lost popularity toward the end of his life; even his publishers lost interest, and it is a testimonial to Bach's transcriptions that the first stage in the 'Vivaldi Revival' stems from the rediscovery of Bach in the 19th century. The concerto heard on this program had as its original group of soloists two violins and cello, for which a separate keyboard on the organ is reserved.
- Notes © 2005, Thomas Murray
During his time as organist at the ducal court of Weimar (1708 to 1717), Johann Sebastian Bach (1685-1750) became more and more familiar with the Italianate style and decided to transcribe several concertos by Antonio Vivaldi (1678-1741). Vivaldi, the preeminent master of the violin, was known throughout Europe for his published collection of twelve concertos known as L'estro armonico, described by musicologist H.C. Robbins Landon as 'the most influential music published in its time . . . a demonstration of everything the violin could do.' Vivaldi, originally hired as a young man to teach violin at one of the Venetian orphanages for girls (the Pietà), was later promoted to the position of maestro de' concerti, a post that enabled him to compose and perform his own music. In concerts at the Pietà young women played, standing in a three-tiered balcony, to audiences of select society. Vivaldi used his base of operations to the fullest, at the same time not neglecting the promotion of his fame north of the Alps. By the 1720s he was in fact a major cult figure, so it is no surprise that Bach took an interest in arranging Vivaldi's music for the organ. As often happens with a 'star,' Vivaldi lost popularity toward the end of his life; even his publishers lost interest, and it is a testimonial to Bach's transcriptions that the first stage in the 'Vivaldi Revival' stems from the rediscovery of Bach in the 19th century. The concerto heard on this program had as its original group of soloists two violins and cello, for which a separate keyboard on the organ is reserved.
- Notes © 2005, Thomas Murray